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Most politically charged films focus on corruption at the higher levels of place, but STREET FIGHT gives us a curb-side opinion of something remarkable smaller …and distinguished more essential.
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The 2002 Newark, Current Jersey Mayoral accelerate is something most voters in the U.S. could care less about. Why should someone in, say, Pittsburgh, Pennsylvania pay attention to Newark’s voting issues? Or someone in Fort Worth, Texas? Or San Francisco, California? Realistically, none of them would. But Newark is Fresh Jersey’s most populated city, and those in San Francisco and beyond might want to purchase a peak at what’s happening to our democracy on a pseudo-microcosmic level.
The film’s significant focus is on Cory Booker, a Newark city councilman with his scrutinize on the mayor’s office. He’s a Stanford and Yale graduate who lives in a slum within Newark. He’s an idealist who’s grown tired of his city’s bad schools, poorer neighborhoods, and rising jobless rate. To catch into the mayor’s office, though, he’ll have to unseat four-time incumbent Sharpe James, a man who’s firmly entrenched within Newark’s politics.
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We spy as writer/director/photographer Marshall Curry seeks to interview both sides of the speed, first by checking in on Cory Booker’s campaign, then by trying (in vain) to meet up with Sharpe James and his people. But once James’ campaign personnel learn that Curry interviewed Booker already, he is immediately shunned and pushed aside (often in a very rough manner) . Curry’s camera is pushed around time and again, his microphone broken, and he’s denied access to Sharpe James entirely. Even when Curry catches up with James at a public event, he’s manhandled by Sharpe James’ `brute squad.’ Most will earn this very unsettling, as this is a publicly elected figure in a public spot who is, in essence, acting like a thug.
That we never touch on the political issues surrounding the campaign is bewitching and absurd. These are both distinct aspects of the film. It shows us how petite our democracy means in many instances; it isn’t the bad schools/neighborhoods/jobs that dominate voters’ discussions, but who’s “more republican” or “more sad” (both candidates are shaded) or “campaign has more money” or “has visited a strip joint”.
In the raze, we contemplate Sharpe James spend every slimy tactic at his disposal in order to pick up votes (including bringing in paid James’ supporters from out-of-state to abet bolster assist on election day) . Booker doesn’t obtain the election, thus giving the viewer a very negative understanding of Modern Jersey politics. But all is not gloom and doom.
In 2006, Cory Booker returned to the mayoral hurry and took Newark by storm. Sharpe James uncharacteristically dropped from the urge for unknown reasons while a current runner took up situation against Booker, only to be squashed in the largest landslide glean of any mayoral hurry in Recent Jersey history.
But the bitter taste of the 2002 run unexcited lingers in audiences minds after watching Street Fight. It’s a tough film to sight, because we all want to own that our democracy is flawless when, in fact, it has so many problems and shady dealings as to gain one ill at the prospect.
Q: Why should anyone west of the Delaware River care about the Newark, NJ mayoral rush of 2002? A: For me, this was an edge-of-the-seat suspenser that wouldn’t let go long enough to let me pick a phone call. If you don’t know how it ends, glimpse it for the cliffhanging epic it tells. For anyone else, this compact tiny documentary should be seen for its relentless journalistic energy. As American politics becomes more and more dominated by alarm tactics, the corporate-owned news organizations have abdicated their duties as the Fourth Estate of our republic, leaving independents like Marshall Curry to buy up the mantle. STREET FIGHT compares favorably with the classic MEDIUM Frigid, and entertains like a latter-day version of THE CANDIDATE.
We seek Sharpe James, a six-term incumbent, try every dirty trick in the book to absorb on to his office: he threatens business closures for those who effect rival Cory Booker’s heed in their windows; he smears the Booker campaign with bogus sex scandals; he even uses the fact that out of the two African American candidates, Booker is less “sincere” for having lighter skin than his. Both sides wrangle for endorsements, meet with community groups, and sprint every dollar not nailed down. The kind of encourage room manipulations old-fashioned by James would seem highly amazing in a fictional film. Although it may assume plot in a different city, this documentary is the perfect companion allotment to Season Three of THE WIRE. The similarities between the two political environments is uncanny.
Booker himself, 32 years obsolete at the time of the hasten, is all forward momentum. Barak Obama is clearly not the only young politician who threatens to breathe some life into our dying democracy. On the eve of the election, a child who has objective touched Booker tells Curry, off camera, to smell her hands. “Why, does he have a smell? ” “Yes,” says the girl. “He smells like the future.”
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